Les contemporains de M.A. Charpentier, admirant son talent, sa sensibilit\u00e9, son intelligence, son art accompli du contrepoint et de la m\u00e9lodie accompagn\u00e9e le surnommaient \u00ab Le Ph\u00e9nix de France \u00bb.
\nLe Banquet musical propose quatre \u0153uvres majeures de son abondante musique religieuse.
\nChacune d\u2019elle \u00e9claire le talent du ma\u00eetre fran\u00e7ais de mani\u00e8re diff\u00e9rente.<\/p>\n
Le Miserere<\/strong> grande \u0153uvre poignante fait entendre les polyphonies intenses du ch\u0153ur \u00e0 six voix qu\u2019accompagnent les dessus et la basse continue.<\/p>\n Le Magnificat \u00e0 trois voix<\/strong> est une magistrale d\u00e9monstration de variations proches de l\u2019improvisation sur une basse obstin\u00e9e de quatre notes descendantes.<\/p>\n Le Cantate Domino<\/strong> H 176 est un psaume joyeux r\u00e9sonnant comme un cri de louange d\u2019Israel pour son Dieu.<\/p>\n Enfin Pro omnibus festis<\/strong> est un motet de louange \u00e0 la Vierge Marie \u00e9crit pour six voix, deux dessus et basse-continue \u00e0 l\u2019\u00e9criture riche et contrast\u00e9e.<\/p>\n Un concert pour (re) d\u00e9couvrir la musique du grand compositeur fran\u00e7ais.<\/p>\n Entr\u00e9e libre, plateau<\/p>\n","protected":false},"excerpt":{"rendered":" Les contemporains de M.A. Charpentier, admirant son talent, sa sensibilit\u00e9, son intelligence, son art accompli du contrepoint et de la m\u00e9lodie accompagn\u00e9e le surnommaient \u00ab Le Ph\u00e9nix de France \u00bb. 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